SansAmps capture the warm, rich, natural tones of the most sought-after tube amplifiers. Within the parameters of each model’s particular design, the controls provide you with access to specific tone shaping characteristics within the tube amplifier sound spectrum.
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The 100% analog SansAmp Tube Amplifier Emulation technology encompasses the entire signal chain, from pre-amp to power amp to speaker simulation. An integral part of the circuitry, the SansAmp speaker simulation will complement any type of guitar or bass speaker cabinet system. You can also place an external IR after a SansAmp to give additional flavor if you so desire. The SansAmp speaker sim is designed and individually tailored for a smooth, even response as would be achieved by a multiply-miked cabinet –without peaks, valleys, and notches associated with single miking and many IRs.
SansAmp products are designed to work seamlessly in both recording and stage environments. They can be used with almost any instrument, for any music style, and for multiple applications. Record directly to tape and disc or enhance previously recorded tracks. For live performances, they can drive a power amp and speakers, augment your existing amplifier set-up, or run directly into the mixer of a PA system.
Mop Top Liverpool = Vox-style + Rangemaster Booster-style
Range of Settings with CHAR A:
• Below 12 o’clock serves up the tone of a Top Boost with controls set to 9:00, for a throatier clean sound and warm overdriven tones.
• Advancing towards 12 o’clock brings in classic British mids.
• Passing 12 o’clock increases clarity to crunchy and overdriven tones.
• Full up adds the upper mid crackle of pushed Alnico speakers.
Range of Settings with CHAR B:
• Below 12 o’clock serves up the tone of a Top Boost with controls set to 3:00, for full clean sound with lots of bass and highs.
• Advancing towards 12 o’clock brings in classic British mids.
• Passing 12 o’clock brings in the vocal quality of “Woman Tone.”
• Full up boosts the low mids for non-Top Boost AC30-style tone.
Independent Boost Section:
BOOST
The Mop Top Liverpool uniquely offers 2 boosts in one knob:
• At 12 o’clock, it’s flat.
• Up to 12dB Treble Boost when you turn clockwise for a brighter, louder, edgier ‘60s and ‘70s vintage vibe.
• Up to 12dB Mid-Range Boost when you turn counter-clockwise, which tightens up distortion, rhythm and lead tones for more modern vibes.
For an in-depth look at the design and development process of the SansAmp Character Plus Series, click here:
https:///watch?v=zXl5NtAgc74
Prompt shipping and expert packing
Through our long-term relationship with UPS, FedEx, DHL and many other leading global carriers, we are able to offer various shipping options. Our warehouse staff is extremely skilled and will package your goods in accordance to our precise and exact specifications. Your products will be subjected to an exhaustive examination before they will be securely packaged before being shipped. We deliver to thousands of customers each day from multiple countries. This demonstrates our dedication to becoming the largest online retailer on the planet. These warehouses are in Europe in the same way as they are in the USA.
Note: Orders with more than one product are assigned a specific processing period based on the individual item.
Prior to shipment Our team will conduct an extensive inspection of the products you have ordered. Today, most orders will be shipped within 48 hours. The delivery time is between 3 and 7 working days.
Returns
The inventory is constantly changing and we do not control it completely due to the fact that several parties are involved, which includes our warehouse and factory. The actual levels of stock can change at any time. It's possible that your order will become unfulfilled when you have placed the order.
Our policy lasts for 30 days. If it's been more 30 days since the date you purchased your item and we're unable to offer you a complete exchange or refund.
The item should not be in use and must be in its original condition. It should also be in the original package.
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